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When I started reviewing Sony’s most expensive consumer headphones yet, I naturally expected them to offer an elevated experience. I didn’t expect to hear the best spatial audio I’ve ever encountered. I say this, too, as someone who has been left completely unimpressed by spatial audio features time and time again.
Be forewarned, though: the Sony 1000X the Collexion headphones clock in at a whopping $649.99 — putting them nearly $200 higher than the WH-1000XM6. The reason for the fanfare? The Collexions are the 10th anniversary celebration of the 1000X line (hence the…creative name).
The brand certainly delivers on some of its best features in the Collexion headphones, but really, the experience for the high price point is only likely to appeal to a select few who prioritize sound and looks above all else.
The Sony 1000X the Collexion at a glance
These aren’t the 1000X headphones you’re used to.
Credit: Bethany Allard / Mashable
What I liked: These are the best sounding headphones Sony’s made, and the spatial audio with the 360 Upmix tech really highlights that. The lack of hard plastic usually found on Sony’s headphones makes the look more sleek and luxe, and the wear feels plush and comfortable. The noise cancellation is still solid, too.
What I didn’t like: The fancy metal hinges mean no more folding ear cups, which was one of my favorite features on the XM6 headphones. The looser fit also means less passive noise cancellation, so the older headphones win out there as well. Finally, I expected the $190 price jump between the XM6 and Collexion headphones to mean upgrades across the board in the user experience, but beyond the improved sound and design, other features on the headphones went basically untouched.
Specs
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Drivers: Bespoke 30mm driver
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Spatial audio: Yes
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Noise cancellation: Active noise cancellation powered by V3 and QN3 processors
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Battery life: 24 hours with active noise cancellation
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Microphones: 12
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IP rating: None
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Connection: Bluetooth 5.3
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Codecs: SBC, AAC, LDAC, LC3
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Inputs: USB-C, 3.5mm audio jack
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Weight: 320 grams
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Colors: Black and platinum
Pricing and availability
At $649.99, the Collexion headphones are undeniably on the high end of the consumer headphones market. They’re not the most expensive we’ve seen — that honor belongs to the Bowers & Wilkins Px8 S2 headphones — but they’re still $100 more than the Apple AirPods Max 2 and $200 more than the Bose QuietComfort Ultra (2nd gen) headphones.
Sony 1000X the Collexion performance
Sound quality
As these are Sony headphones, they sounded excellent, but the real star of the audio show was the spatial audio.
To be clear, I usually feel neutral about spatial audio at best, finding that it often makes music sound hollow and unbalanced in an effort to make it sound live. With the Sony Collexion headphones, I could make some peace with the fact I didn’t grab Olivia Rodrigo tickets because her entire album sounded legitimately live and immersive with the 360 Upmix spatial audio tech, whether I was listening to the Cure-inspired (and Robert Smith featuring) “what’s wrong with me” or the pared down piano ballad “less.”
For the first time, I found myself actually preferring to toggle on the spatial audio. For gamers and movie lovers, there are also modes specific to both formats. The non-spatial audio still stunned, lending music gorgeous balance and clarity, with Sony’s classic slate of equalizer settings and custom options to fine-tune the sound just so.
Noise cancellation
In the press briefing for these headphones, Sony’s team made it clear that they focused on comfort over noise cancellation with these headphones compared to the XM6s. They do feature the exact same tech as the XM6s, but the slightly looser fit means less passive ANC. In practice, I found that it did mean working in cafes was slightly more distracting, reducing chatter and the radio to a dull hum instead of fully immersing me in my own private listening bubble.
By no means is it subpar ANC — it’s still some of the best, but I would have liked Sony to work a little more magic for $650.
The Sony 1000X the Collexion design and build quality
The metal accents gave the headphones an elevated look, but I was looking for more functionality.
Credit: Bethany Allard / Mashable
The Collexion headphones look and feel notably elevated, with metal accents and faux leather wrapping the exterior of the headphones (as opposed to the hard plastic shell found on the rest of the 1000X line).
They feel built to last, but again, for their price point, I wasn’t too thrilled about the finished result. Yes, the metal buttons were a nice touch, and the wider headband did add more comfort. However, I missed the folding ear cups from the XM6 headphones, which do legitimately help with toting them around town, and I didn’t find them more comfortable than the Bose QC Ultra 2s (the single most comfortable headphones I’ve ever worn).
I can acknowledge that I’m being nitpicky, but I must mention the price again. For $650, I want the headphones to look impressive and also be oozing functionality in every aspect of the design. I found these more of a statement fashion piece than an ultra-functional pair of headphones — and if that’s the vibe that Sony’s going for, I want them to offer more than two colorways.
Who should get the Sony the Collexion headphones?
The Sony Collexion headphones have a weird name, a pretty design that doesn’t always rise to the occasion, and the best sound quality I’ve encountered on a pair of headphones. Truly, they feel like the very first to have finally unlocked undeniably good spatial audio.
With that said, the price point will make them hard to stomach for most. If you’ve been dying for spatial audio and love that live sound, shelling out on these will get you the best version of it. That said, these headphones should be the best in category in more areas if they’re to be priced the way they are. A $550 or even $600 price point would have been far more stomachable, but maybe this one is ultimately for the super fans who want the anniversary edition headphones more than they want the best headphones available.
